About The Work

 

concrete Courtesy of TARQ, Mumbai

 

The Talisman for Coastal Future Series was conceived from my persistent encounters with the megalopolis of Mumbai, where the topography is in a constant state of change. I grew up in mangrove woodlands and waterfronts, environments that are continuously shrinking due to encroachments. These landscapes and their topographies hold ancient narratives.Globally, Indianness has often been seen through the lens of Hindu, Jain, and Buddhist iconography. However, India is home to many microcultures that remain vital and pristine. I began exploring non-anthropocentric icons which come from my Koli heritage.

 

The basic armature of some of the sculptures is traditional in design, resembling a ring at the base with nine rods or needles welded to it. Traditionally, the armature was decorated with local forest flora, but in my version, I use forms inspired by marine life and its environment.The use of yarn as a medium began during my post-graduate years at M.S.U Vadodara in 2003. Fishing nets were originally made from seaweed, then hemp, jute, and cotton. Over time, this material evolved, and nylon was introduced just a couple of decades ago. Traditionally, Koli children, women, and elders would knot and weave fishing nets. As a member of a fisherfolk community, I grew up surrounded by fishing nets, but my intention was never to use them. I consciously avoided them in my work. Instead, I chose yarn as my medium, curious about its potential for expression. I’m more interested in exploring how and what I create as a culture bearer.

 

The sculptures may appear simple, but hold multiple layers of meaning. The belief systems of my community were once deeply rooted in ‘naturalism,’ but that has since evolved, constantly shifting with the changing landscape of Mumbai. Some armature forms refer to structures used in an annual ritual or performance which serve as a tribute to those who have lost their lives at sea and to children who have drowned. It acts as a protective charm.

 

With the newest works, I have introduced new forms: sea fans, sharks, shrimp, lobsters, manta rays, and more. Through my practice, I can now envision and design each step of the process, perhaps because I’ve developed a deep understanding of yarn as a medium. But I’m also reflecting on what new ways I can express myself through it. I’m intentionally using the armature, which helps keep my focus sharp and clear. The intriguing aspect of working with thread sculptures is the spontaneity required. I focus on enjoying the process, on the colors and the act of creation, without obsessing over the end result.